THE RHEA Pluck:
public to WRITE
By Armando Arteaga
magazine called The Plucked Ostrich.
nose in the mess of the illusions of my books, I stumbled on an inadvertent elbow of the library, shelves arranged with a pair of silvery magazines where the narrative was the only perfect prank our literary gargle. The magazine was called The Plucked Ostrich, published two issues of this magazine short stories, so remember the date of first issue: starting in December 1990, taking a long break until the first half of 1995, on the other N-magazine 2.
Luis Vargas Chirinos, wrote and published their stories, and as we all hated the sacred.
literary magazines tend to be "in abstract ", small islands where one has always been a castaway guest. Invited to write the invitation to publish the invitation to survive to the texts given to the glory promising. Literary magazines usually contingencies credentials of certain hedonism herd where the din of the freedom to be something in the human grandeur was the most sublime literature.
Not something Federico García Lorca wrote: I wanted to get to where they came good. All writers who published in the pages of The Plucked Ostrich arrived, and they were good. But the only one not arrived and the first left, was the altote Luis Vargas Chirinos, thin, mustachioed, enthusiastic director.
Luis Vargas Chirinos, wrote and published their stories, and as we all hated the sacred. Consecrated as were all those who publish on these two issues of The Plucked Ostrich. Plucking the magazine Nandu wanted to continue the adventure in Buona Eugenio Notebooks semiannual story. "
brief narrative overwhelmingly caught the ghost of our stories
were united not by generation, nor by political tinge, or by place of origin was marked because we wanted to streamline the narrative, beyond the urban realism, do not let us catch you not by pure fantasy, overcoming sluggish boring description of the Traditionalists, the abolition of the landowners of the lyrics: his lyrics protested, we wanted myopic desahuevar the Agrarians. Overwhelmingly short narrative caught the ghost of our stories, we liked the art, film, haiku, brevity.
I always talked to Luis Vargas Chirinos in Orphan's Café. There we were to plot, smiling, was also a banking union leader, and had the luck and the contribution to publish these two issues of The Plucked Ostrich. The genius of that time was made of isolated phrases, fast, exact words as theorems to show that we were always in a hurry, wanted to reach the decisive sentence, a change man. Logar that it disappeared completely individual greed and that his actions were inspired by collective motivations, then come the personal acts said Luis Vargas Chirinos: the loneliness of writing.
has left these two numbers are the Plucked Ostrich gold during consideration of Peruvian literature began to be short in 1990: the year we live in danger. When you remember that you can not write without being terse, who live between zero and from infinity.
Chirinos Luis Vargas won a scholarship to study filmmaking in Cuba, for a good season, again with many books and friends: among them, Senel Paz and Luis Rogelio Nogueras. Living in the freedom to write as the blessed live in faith. In a way, wanted to leave us in these two issues of The Ostrich Plucking a view from his humanism, ironic, provocative, where the narrative is often more reflective question that. He lived in a hurry, death (cruel fate) brought him out prematurely from their own literary necessities.
published in its journal THE Plucked Ostrich, among other narrators: Cromwell Jara Jiménez, César Vega Herrera, Oscar Colchado Lucio, Carlos Augusto Rivas, Victor Borrero Vargas, Juan Rodriguez, Golden Sotelo, Raul Jurado Parraga, Dante and Walter Castro Zans.
Presenting The Plucked Ostrich N-2.
0 comments:
Post a Comment