Off White Comic Español

II Book Fair of Palacio de Gobierno / LIMA

II Book Fair Government Palace

Monday, 25 April
5:00 -

5:30 pm OPENING CEREMONY

Participants: Alan García (President of Peru), Mr. Jaime Carbajal Pérez (Cámara Peruana del Libro)

6:00 to 6:45 pm Musical performance
opening


"Sikuris" and "Scissors Dancers (Intangible Heritage of Humanity)

Organizers: Refine / Peruvian Chamber
Book ---------------------
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Tuesday, April 26 4:00 to 5:30 pm

Tupac Amaru Room

BRAZIL Talk

building
reading "Monica's Mauricio de Souza"
Dicta: Jorge Taunay, Ambassador of Brazil.
Organizers: Embassy of Brazil

Eléspuru Chamber Chat


building reading "Building roads and open spaces across Reading"
Guest: Norma Huidobro (Premio Clarín 2007)
Organizers: Ediciones SM / Peruvian Chamber Book

5:00 pm to 5:45

Patio de Honor

artistic performance "Dances Peruvian, seafood and afro"
Organizers: Universidad Católica Sedes -------------------------------------------

Sapientiae

Wednesday April 27
From 4:00 to 5:30 p.m. Hall

Tupac Amaru

Roundtable "Thinking about children's literature in Peru
Participants: Javier Morales, Manuel Vejarano, Hilda Neyra
Organizers: Seat of Wisdom Catholic University Chamber Eléspuru

illustrated talk

Carlos Rojas Feria
"Machu Picchu: playful vision of a world wonder"

Drama: James Estrada
Close: Declamation "Excerpts from Heights of Machu Picchu by Pablo Neruda" by Julio Montesinos
Organizers: Peruvian Chamber Book, Colegio Santa Maria de la Providencia.

5:00 to 5:45 pm Court of Honor


artistic performance with Maria Angelica Vega
"The Stories of Vitoria"
Involved: Alejandro Sánchez Aizcorbe, Mayor of La Victoria.

Organization: Municipality of La Victoria

6:00 to 7:15 pm Room
Tupac Amaru

ARGENTINA

Book launch in October, a crime


Norma Huidobro Participants: May Rivas, Javier Arevalo
Organizers: Ediciones SM / Peruvian Chamber
Book Room

Eléspuru

Talk about Book 2 New Peruvian heroes Daniel Córdova
Organizers: Editorial Planeta
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Thursday, 28 April

4:00 to 5:30 pm Show Tupac Amaru


Roundtable "Mario Vargas Llosa: discursive cruises Scriptwriter

Participants: Judith Paredes, Richard Leonardo Loayza, Antonio González Montes

Organization: Grupo de Estudios Latinoamericanos Antonio Candido
Literary
Eléspuru Chamber
storytelling

Show Organizers: Peruvian Literature House


Patio de Honor

5:00 to 5:45 pm
Show
storytelling with Ana Correa
"A river of stories (stories from the oral tradition of the Amazon)"
Organizers: Peruvian Chamber
Book
6:00 to 7:15 pm Show Tupac Amaru


Mesa discussion around the book The Cross of Peru Luis Millones
Participants: Luis Million, Jacinto Pedro Pazos, Juan José García Miranda.
Organizers: RELATED - Association of Researchers and Editors Fund

Eléspuru Chamber


Book Presentation Written by David Sobral
Mariateguist Organizers: Universidad Inca Garcilaso de la Vega -----------

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Friday 29 April

4:00 to 5:30 pm

Tupac Amaru Hall Talk


"mitigation studies earthquakes and tsunamis,"
Participants: Collado Emerson Dominguez, Carlos Zavala Toledo, Álvaro Montaño
Organizers: Fondo Editorial Universidad Nacional de Ingeniería

Eléspuru Chamber

storytelling show "Songs and Canticuentos to smile" with Fabulinka
Organizers: Peruvian Chamber

Book of Honor
Patio
Puppet Show for children with Pepe Cabana Kojachi "Mukashi Mukashi"
"was not only once and a thousand ways of telling stories"
Organizers: Peruvian Chamber
Book
6:00 to 7:15 pm

Tupac Amaru Hall Discussion

on the book link on the day of Carlos Gatti
Participants: Manuel Vejarano, Marita Vinatea, Giuliana Contini
Organizers: Seat of Wisdom Catholic University



Eléspuru Board Book Launch Esmorgasbord
Marco Aurelio Denegri
Organizers: Universidad Inca Garcilaso de la Vega

-------------------------------

Saturday 30
April 3:00 to 3:45 pm Room

Eléspuru Presentation

book storytelling
The Amazing World of Pookie and Jorge Antonio Tello Tushkal Aliaga
Organizers: Language and Commerce

12:00 to 1:00 pm Courtyard of Honor


Family show The Inca of Peru, Gunton Paz brothers
Organizers: Editorial Planeta

4:00 to 5:30 Hall
pm Tupac Amaru

Book Launch The other room 2. Papers
VIII National Meeting of Writers "Manuel Jesus Baquerizo" of Arteidea Publishers
Participants: Martin Guerra, Gonzalo Espino, Armando Arteaga
Organizers: Peruvian Importers and Distributors



Eléspuru Chamber Roundtable
"Centennial Literary: José María Arguedas "
Organizers: Peruvian Literature House


6:00 to 7:15 pm Show Tupac Amaru

Roundtable Spelling book about the English language
Participants: Marco Martos, Rodolfo Cerrón Palomino, Alonso Cueto
Organizers: Editorial Board

Metro Eléspuru


Book Launch Moon Song for Alberto Stewart Hermelinda
Comments: Antonio Gonzalez Montes, Elijah Rengifo

Theatrical: María Angélica Vega, Martín Farfán.
Organizers: Editorial San Marcos
Patio of Honor


5:00 to 5:45 pm Art Show



"Peruvian Dances: Caporales"

Organizers: University Bausate and Meza

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Sunday May 1

4:00 to 5:00 Hall
pm Tupac Amaru

Book Launch
The dreamer ... and three stories of pilgrims Roque Garcia
Organizers: Hinge-Editors (Huancayo)

Eléspuru Chamber Show


Child Tricia's World Sifuentes Manuel Herran
Organizers: Bruño Publisher


Patio of Honor 3:00 - 4:00 pm Musical performance



"Huaconada Mito (Intangible Heritage Humanity) "
Organizers: Myth Huaconada of Peru and the 3 rd Book Fair Huancayo area

5:00 to 6:30 pm Show Tupac Amaru


ECUADOR


Book Launch Anthology 3 rd bi. Youth Accounts 1998-2011 Ecuador-Peru
Organizers: Embassy of Ecuador


Patio of Honor 4:00 - 4:45 pm Show

child and puppet Racatán

"Storytelling"
Organizers: Peruvian Chamber
Book

5:00 to 5:45

Musical Show

Closing "Group Sikuris UNI"

Organiser: National Engineering University

Funbrain Games The Playground

Piurana BIRDS IN THE POETRY OF FREDERICK E. ROD C. / BY ARMANDO ARTEAGA

LITERATURE IN PIURA

Piurana BIRDS IN THE POETRY OF FREDERICK E. ROD C.

BY ARMANDO ARTEAGA

Federico E. C. Rods, writer and friendly character of the literature piurana

It is fortunate for me to be provident friend of Frederick E. C. Rods, writer and friendly character of the literature Piura, who sought my friendship since I started my first steps to make college, when I participated in the "Support to Rural Communities University of Ayabaca and Alto Piura" to develop IDESUNI ( it was a kind of voluntary work with my colleagues from the National Engineering University), where we develop for two years ended development projects benefiting these depressed areas of the Piura highlands.

celebrate our sincere friendship

Don Federico knew I was one of the most boisterous and he supposed "ringleader" of this social achievement that we made in the eighties. Paternal and learned, tried to give me some advice that I appreciated at that time. We celebrate our sincere friendship that morning of May 84 with coffee and sandwiches Canchaque turkey, in a coffee shop Tambo proverbial front of the hotel where I stayed then.

few weeks ago I visited again in his home located in the Historic Center of Piura. It has been very gratifying, disturbing, even for a moment of personal consent, the tranquility of old writer, that is, and, the most authoritative writer of the twentieth century piurano testimonial, not only for their healthy longevity, but also as a major player in the literary and journalistic contemporary Piura.

This time, he was accompanied by the poet Juan Felix Espinosa Cortés.

Frederick E. C. Rods must walk for more than ninety years, he remains lucid and attentive to current literary events. It was very moving our meeting. This time, he was accompanied by the poet Juan Felix Espinosa Cortés. Like any great poet, we read and taught some of his latest literary creations. The old Varrillas excited, just excited that adolescent for his verses, let us glimpse of his literary work that deals with research, teaching and creative writing. Rod is a poet , narrator, essayist, journalist and lawyer.

Most literary of Varrillas remain unpublished, has shown us his books neatly waiting for the righteous hand of an editor to put them in print for approval of the current cultural scene, reminding us of the importance of their actions, their idiosyncrasies, and itinerary writer.

"Contemporary Poets Piura (Piura First Festival of Books, 1958)

authored Rods some of the most important anthologies: "Poets Contemporary Piura (Piura First Festival of Books, 1958) and "The blind Elera" dedicated to the poet huancabambino. He is the author of essays off unique as "Genius and Figure of Piura, the same as this testimony about" Joaquin Ramos, Poet of Grace "approach literary study devoted to the enigmatic and eccentric poet Piura, almost a myth in our literature Piura, Mario Vargas Llosa points out in" The fish in water "as one of the most original Piura: "Joaquin had lived as a youth in Germany and imported from there the German language, a monocle a cloak, a quirky ways and rampant aristocratic taste for beer. recited beautifully Lorca, Dario, Chocano, and poet ... piurano Héctor Manrique. "

"Spooky Scope (Provincial Municipality of Piura, 2007)

His poetic work is extensive and this book highlights Sec Collection: Spooky Scope (Provincial Municipality of Piura, 2007), the effectiveness of vital Rods poet has much to do with the feeling of water as a fertilizing in the desert of ideas and feelings. This original handful of poems I find admirable chapter on the birds Piura. Birds are piuranos Rods in the voice of the arborist determined their profile pictures.

Is it easy to talk about his brothers, birds Piura.

rods as an ornithologist of tenderness paint these identifying local birds the feeling of Piura. A bird free as we find a poet Rods expert use of language, therefore, it is easy to talk about his brothers, birds Piura. parade in the forest of words this poet carving, overnight in time more diverse: The chihuiso non profit or triune the slut : satiated from afar, who plug; the hummingbird : eternal love flowers, the dreams : Celica after ballad, the choqueco : with a hoarse voice to work with life the chiroca: stubborn, sweet strokes; the luisa: at Glisan's golden fiddle, and the Chilalo , that bird architect who built his mud house in the branches of trees: the stoicism that burns in the wood, says Rod.

In the mirror of the mist and life, we must evaluate (because it justice) Rod poetry: great poet, best friend, old amauta of Piura.

Rods: great poet, best friend, old amauta of Piura.

Just Got A Position Filled Letter

piurana literature is in good health / Sigifredo Burneo Sánchez

LITERATURE IN PIURA

literature is in good health piurana

Burneo Sigifredo Sanchez

and Sigifredo Armando Arteaga Sánchez Burnet ( author of this article for the Time): The genereación of 70.

is in circulation a book entitled Kindred Purple, 10 years of poetry and narrative in Piura, which produced José Lalupú Valladolid, professor and writer-in-Office. The book, with impeccable presentation, is an anthology of literary works piurana produced during the first ten years of this century, where the prologue Fabian Bruno commitment to the recognition of a third generation of writers Piura, which called Kindred Purple.

is very likely that not all agree with the conclusion above, perhaps because his starting point is a paper by the author of this article divides the history of our regional literature into two main sections (division that took clear educational purpose), but, I think, regardless of the denominations, the important thing is the quality texts. Selected authors show us their creative skills get grab the reader, of course some more effectively than others, but it shows that there is commitment, there are creative audacity and, above all, a solid support in the readings of which have fed.

A third generation of writers Piura, which called Kindred Purple.

An important finding is that most authors have had college experience, which is not a prerequisite for artistic personality but it helps in forming their own opinions through academic discussions and research. I mention this because, by the mid 1980's, the poet Alberto Alarcón published his anthology of literature piurana called The others, in whose preface claims that the National University of Piura had produced no poet or narrator. Today, reality is another cultural Piura. Storytellers and poets younger quarries are mostly from the University of Piura and the National University of Piura, having created even his signature moves and their own journals to leave evidence of their concerns, their aesthetic projects and their forays through the winding paths of literary cult.

Joshua Aguirre, Fabian Bruno, Richard Chavez, Martin Cordova, Dany Cruz, Reynaldo Cruz, Luis Gil, César Gutiérrez, Ángel Hoyos, Percy Ipanaqué, José Lalupú, Claudia Meza, Yojany Mogollon, Ricardo Musse, Victor Palacios Cosme Saavedra, Jose Sandoval, Fernando Silva, Gerardo Temoche, Jorge Tume, Eduardo and Javier Vilchez Valdivia, are twenty-anthologized, amount to a certain type of thinking may seem excessive, but it certainly demonstrates the growing interest among the literary crowd Piura youth.

theoretical speculation about what constitutes the so-called Piura literature is also a topic of intellectual interest: the work of writers born in Piura, although his work is not about Piura? Is the play about Piura, although its author was not born in Piura? "Only the work of those born in Piura Piura and deals? Lawful and ancient treatises that the anthology addresses a broad and generous spirit of inclusion.

The substance of the publication is that objectively demonstrates the existence of a dynamic literary creativity in the process of expansion and consolidation. Although its definition need not enjoy consensus, the literature is alive and well piurana health as evidenced by the emergence of new names that this book presents.

Burneo Sigifredo Sanchez, Houdini Guerrero (Sietevientos magazine editor), and Armando Arteaga piuranos several generations of writers.

Diario El Tiempo, 17.12-2010.

Water Proof Money Holder

ROCK & POETRY / ROGER AND Puquio Santiváñez

ROCK & POETRY [1-2]

Testimony of Roger Santiváñez ]

is strange but it all began with rock. In the distant Piura for the first time I knew what was rock and roll, when my older sister Ruth a sunny morning, I said this is the music of Elvis Presley and began to dance. This must have occurred around 1960. For those days or rather years: the early 60s is that I was bombarded with everything from backing rock that came to Piura. I remember the 45 rpm of my brother Raúl between what could listen to Paul Anka, Little Richard, Elvis of course, and Neil Sedaka, Frankie Avalon, the fabled Dream by the Everly Brothers or topics of Connie Francis, Bobby Darin and Sandra Dee -your cute girl blonde, the Supremes and Brenda Lee. So the bottom of my poetic art is tinged rock in its most remote settings. In this environment, my conocmiento of the Beatles in 1963 and 64-discs with my older sister Lola "came to mean a kind of bomb. That itself could not understand her beauty. That furious beauty. The impact was so great that on the blackboard where he practiced my school work, a kind of mural-wrote and drew the story of the fab four without knowing anything about them, guided simply by the power of imagination of this boy of 7 or I was 8 years. The only source of information would probably be the magazine-reading Vanity monthly where my mom could learn a thing about rock in its pages on Hollywood 'cinema and its stars' and 'Spotlight on Europe' in its columns found people like the Rolling Stones and Herman's Hermits. The amazing thing is that in those days I caused a huge emotional shock arrival at Los Shains Piura, with Gerardo Manuel, for the opening of Channel 2 TV, a subsidiary of America to Lima. But the craziest thing was my Vision of The Saicos in 1965, in the channel, a Saturday in 'El Show de Marco', the same as later-in 1968 - led to Jean Paul, The trogodlita conjunction with The Dreams of Lima. In 1965 or 66 came to Paul Anka Peru and that it enjoyed in the silence of my solitary reading of 'Express' and other newspapers in the capital that my dad bought in Piura every Sunday. Like the arrival of Chubby Checker, the king of the twist-in the summer of 1963 or 64 who flipped on the TV in Lima and saw all your photos in Caretas, because I was in Limonta, like all my childhood summers , going on holiday on the jato my maternal grandmother Matienzo, Trail Santa Rosa, at the very center.

Lima During my last summer, my grandmother died in October 1963 - ie in 1964 I did something unusual. A good morning and after several days mulling over the matter to the head, I wrote a relatively short text, a kind of songs, but they were not. There was a song-I think Fabian Forte-that my sister Ruth and therefore loved me too. Multiplication was his name. And from there began to weave tales about word games with 'Multiply, Multiplication' and inventing a narrative sense to each piece, based on other songs probably or other word games. The fact is that were like 4 or 5 blocks on my calligraphy lines to read and reread them I liked a lot. But neither were stories themselves, but pieces of articulate speech-intuitive-in looking for oral pleasure, completely unknown to me that there was present. And without doubt, in his deeper motivation was the rock I heard every day, drawing in my soul, the most intimate and personal idea of \u200b\u200bbeauty.

In the fall of 1968 came to Piura Jean Paul, the trogodlita. A year earlier there had been in the U.S. summer of love that triggered massive youth movement of the hippies. In Piura I was notified via remote print and television the scope of the new slogan peace, music and love that touched me deeply and whose cultural emblem was, no doubt, rock. Identified with this, I saw on TV the Trogodlita and attended one of his public appearances, in a country restaurant of the city where my parents dragged her to go. His other presentations, the real rock-were in the night club La Huaca, basement of the exclusive-before-Velasco Country Club de Piura. Following these concerts and the blast was the first major scandal of marijuana in my conservative hometown. Boys as well, it was said at the time, behaved badly, saying sensacionaliastas holders. They were the first young people who smoked marijuana Piura and I saw them from afar, because it was still filth. And in that spot was involved Kike Aldana, drummer of rock band The Ayars Piura. Another group was The Stones who, a little after-rehearsed or were touched by my house in Santa Isabel, jato Yapur Toya, and I was a paradise and that could climb the wall outside and listen to live rock and live . And by 1969 was in the house of my neighbor Diabla Garcia, where were assembled the best rock tone, but I was still very young, or too timid, to enter it fully to those parties. But the call was stronger, and in May of 1970 I started playing the guitar, basically to the Athlete, Jorge Diaz-Gacia, Balto Leon and Carlos Silva in the corner of my neighborhood. Hendrix, Santana, Doors, Iron Butterfly, The Who and then Grand Funk, CC Revival, Peruvians Traffic Sound, Telegraph, We All Together, PAX and a Mexican group called The Revolution, Emiliano Zapata, was our favorite bands. Therefore it had a huge meaning for me, the concert "North Woodstock, organized by Cecilia Yapur in Child Paque Piura in March 1971 having as main star to The Telegraph Avenue in Lima. That was awesome. He was 14 years and I can not recall without emotion the most exultant moment when Alex Nathanson claimed: 'One, two, three, Telegraph and sent to' Let me start 'with such power and charisma that even today I have the impression that was the most amazing night of my puberty.

Mike Jagger in Peru, Cusco spent pal ...

that in the fall of 1971-not knowing why I wrote my first poem in a classroom at my school. School was in fourth class and I escaped to hide in the back of the office of a priest who was my leg, to get to play with the Athlete and Pepe Vinatea queagarraba sticks. But we never put together a band. Practically I was not aware of poetry at that time I wrote what I called a poem, motivated solely by a torn desolation and inner dissatisfaction. From there I began to read poetry. Anyway, the rock was still my first passion. And movies. At that time I saw Easy Rider ('Easy Rider' for English-speaking), and the Woodstock Film Festival, which indelibly marked me: I took the ideology hippie-rock as their own and staff and I became a consumer usual 'Hair' excellent review Argentina's rock of that era. In summer vacation I went to Lima, to an aunt's house in Pueblo Libre and there he saw on the walls of Avenida Brasil posters of Dr. Wheat, the Morning Cooking and The Alamo, I bought group the LP in Piura. And the evening listening to the output of coelgio composing poems. Fifth half I had an unforgettable night for me, singing "Something Going 'my favorite song of the Telegraph, with Alvarez Loco, Chino Montenegro, Arrese on drums and Campolo on bass, that is: Aroma of the city Piura on 'Fresh Ocean' a place where I do not know how Creole was a rock tone. That night I went home walking on clouds. El Loco Alvarez looked like Mick Jagger and he took advantage of it. Only recently I had seen in Caretas, Mirko Lauer note the presence of the leader of the Rolling on the Crillon in Lima, with pictures of Jesus Ruiz Durand, one of which was used for a famous poster that I bought at the bookstore's basement in the Plaza San Martin and had him in my bed in Piura. The poster recorded the famous line from Paris, May 68: 'Let's face it, we demand the impossible'.

With poets: Arteaga, Aragon and La Hoz.

-coelgio When I left the summer of 1973 - a boy came to Piura really into rock: Jorge Heredia Ugarte, who also read (I remember that I lent the book Che Olive Green) and painted. It was a bit younger than me but hit it off beautifully. We played a little guitar and dreamed of a band, but I went straight to poetry, more and more. But that year stood on two legs and Jimmy Atkins Kiko Chalupa with whom I locked myself in the jato's first full volume to listen to material from Led Zeppelin, Deep Purple, Cat Stevens, Black Sabbath and the 3 discs of Woodstock and the Concert for Bangla Desh. Evergreen afternoon after leaving the "Private" is, Opus Dei University in Piura, where, perhaps because of it: the rigidity of the Opus-talent for poetry was finally installed in me. Kiko Chalupa began writing poems too, so you could say that we identified as poets-rock.

That summer of 73 came to the library Studium of Piura, the little volume called orange 'These 13' and apart from other poets Verástegui and Zero Hour, which I liked best were the poems of Oscar Málaga rock. In this note I talked a lot Luis La Hoz next year when I met him in Lima, led by Armando Arteaga, author of the poem "My grandfather, a rolling stone 'emblematic of the moment. Of course those days I heard about in the Palermo 'Sister Heroine' César Valcárcel and-in fact, had fascinated me Jorge Pimentel cited that dazzled In-A-Gadda-Da-Vida by opening a section of his amazing 'Kenacort and Valium 10' or Juan Ramirez Ruiz's "Ballad of John and Yoko '. Undoubtedly the best formalises the hippie thinking in poetry is Contranatura Rodolfo Hinojosa, a book discovered by me in the summer of 1974, was the central theme of my conversations with Lucho La Hoz, Aragon and Oscar Armando Arteaga, at the home of Nicholas France Yerovi street of Miraflores, where we got to hear the Beatles' white album, whose song Happiness is a warm gun always chanted by the participants in the heaven of exultation, was cited for its beautiful poem Lucho Constance of the plaquette Acapulco Gold a minute before I met him on arrival at Lima, in the summer of 1974 waved. Through La Hoz, aware of the poetry of Luis Hernández, whose color books of poetry and calligraphy drawn, are dyed-among other things, the purest love of rock. [continue]

Acapulco Gold

Led Zeppelin-Stairway to Heaven

Denise Milani Without Cloth

ARGUEDAS

I

NATIONAL FORUM: "Arguedas and Puquio IN TIME"

(symbol of integration and cultural identification)

18 to May 20, 2011

Justification:

Puquio In the towns of San Juan de Lucanas and lived in the early years of his life, José María Arguedas, as witnessed by the documents prepared in this regard as well as the oral tradition that exists in the area.

One of the ethnographic work which are considered classics in the science of anthropology in Peru is the analysis that develops José María Arguedas on Culture and Society in Puquio.

there a relationship between José María Arguedas, and Puquio for which reason it is necessary in the centenary of his birth that reaffirm activities having as main actors Puquio community through their authorities and interested in studying and analyze the life and work of José María Arguedas.

Objectives: General

:

1. Analyze the current importance, which has the scientific and literary work Jose Maria Arguedas in our society. Besides the changes (revisions) that have occurred in the areas studied by the anthropologist (migration, folklore, etc.)..

2. Propose new aspects in the analysis of the work of José María Arguedas.

Specific:

1. With the event will encourage tourism to the district intellectual Puquio and San Juan de Lucanas, and tourist attractions in the region used to generate new prospects for development with the presence of visitors.

2. Benefit directly the people who will put their products on retail attending the event.

3. Serve to create a space for dialogue among participants and speakers, about the life and works of the author.

Agenda:

The theme of the event will be grouped under the following headings:

a) Literature: Analysis of his works: novels and stories, type of characters that worked literary style, etc., this item will have more participants because José María Arguedas produced more in literature than in social sciences.

b) Social Sciences: Contributions of Jose Maria Arguedas in the analysis of reality, culture, political and theoretical proposal concerning the Indian.

c) José María Arguedas today: To compare the contributions of Arguedas in relation to the current historical moment.

d) Special Committee: Reviews the life, biography, criticism of his work and life, ie, all exclusive to José Maria Arguedas.

Methodology: Exhibition

dialogue and research papers on the life and work of José María Arguedas.

Participants were grouped into major components (anthropologists, sociologists, writers and other social scientists) from various institutions, and student speakers interested in giving puquiana know the community, its findings and scientific developments on various issues of national reality.

Keynote speakers will have 20 minutes to present their work and a time of 10 minutes to replicate the audience. The student speakers were 15 minutes for their presentations and 5 minutes to answer questions from the audience.

Exhibitors

Dr. Jorge Mariano Monroy Caceres-Olazo

Head of Research Department of the Faculty of Humanities UNFV. . Dr. Sabino Arroyo

Aguilar

Professor, Universidad Nacional Mayor de San Marcos. Dr. Carmen Pinilla

sociologist at the Pontificia Universidad Catolica del Peru PUCP

Dr. Cecilia Rivera Omars

sociologist at the Pontificia Universidad Catolica del Peru PUCP

Dr. Kate Grim-Feinberg

anthropologist at the University of Illinois (United States)

Mg. Plasencia Rommel

Professor Soto of the Universidad Nacional Mayor de San Marcos.

Mg. Percy Encinas Carranza

Director of the Cultural Center of the Scientific University of South UCSUR

Mg. Renato Merino

Solari Professor of Science University of South UCSUR

Mr. Armando Arteaga Nuñez

Writer

Mr. Juan Carlos Lázaro

Director of magazines Facts & Arguments

Mr. Bernardo Alvarez

poet and writer Mr.

Dante Castro

Winner of Casa De Las Americas

Bruckmann Mr. Ernesto Toledo

Journalist and writer

 Student Exhibition

Schedule Call:

student speakers Saturday 26 February 2011 Start of call

From Tuesday 01 to Friday March 11 2011 Abstract submission

First

Friday March 18, 2011 Publication of accepted abstracts

From Monday 25 to Thursday April 28, 2011 Submission of final papers

Wednesday 18 May 2011 Event start

the event:

May 18 Wednesday 9:00 to 10:00 a.m. Opening Event

10:00 to 12:00 am Presentations

12:00 to 1:00 pm Break

1:00 to 5:00 pm Presentations

Thursday, May 19 9:00 to 12:00 am Presentations

12:00 to 1:00 pm

Break 1:00 - 5:00 pm Presentations

Friday, May 20 9:00 to 12:00 am Presentations

12:00 to 1:00 pm Break

1:00 to 4:00 pm Presentations

4:00 - 5:00 pm Closing ceremony and delivery of certificates of participation.

Local Event:

The event will take place at the premises of the conference room of the Provincial Municipality of Lucanas-Puquio.

Organizers:

forum organizing committee of the First National Puquio Arguedas and time "

Contacts: Soria

Asto, Paolo Roy: Organizer (soria.25 @ hotmail.com - 986,485,578)

Chumbe Sosa, Maria de las Mercedes (seika_2087@hotmail.com - 994,829,412)

Find A Song By Describing It

NO TIME LIKE ME THE POETS MUTE / ARMANDO ARTEAGA

POETS LIKE ME NO MUTE

By Armando Arteaga

poets I do not like dumb

those pedants who sign manifestos

those idiots who believe everything is writing his poem

do not like, because they are always present when the drink

drug

unpublished, the existential recital at the party to put him barbaric

nose in the face of the innocent, virgin girl

have attended tonight's farts smell poets,

spoiling the rhyme and rhythm.

poets I do not like dumb when burned potatoes are never
when the fascist beast power or democracy

pezpita sends you to the wall or shoots you in the street
are never in the riots or in the duels

old friends you cheered the first book published

or the first magazine lamented every evening.

I do not like dumb poets writing in

flap books of others: this is a great poet ...

this will be the greatest poet of the century that is coming.

In these, all silent poets of the world and my country

never take into account, 100 years from now nobody

take care of them except some idiots who have inflated their coffers

some: almost none, which have been bureaucrats or teachers

I do not know what subjects

which have warmed back at the academy.

Les is my epitaph evil

always neat and ill-intentioned, I admit.

I thought wrong.

poets I do not like dumb, those who have spoken much

have made much ado about nothing

have shouted their protocol mariconada

always on time for literary theft, are loud, but never have

had intelligence to the reality of things, are apolitical

ridiculous, dumb, have never made love

standing in a park beside a

tree to the most beautiful girl named: poetry.

To that, all these, each one of them, with patience Andes.

To these, one is none, I put this epitaph

in each of their graves:

was a dumb poet of the twentieth century ..., passed through here,

always fulfilled but never need .

Red Dots On Feet Fungi?

A my friend Laura Gómez Recas

(2011)

CONDITIONING

I want to make you

what spring does with cherry trees.

P. Neruda Your

wore,
hung from a knot in your stomach,
verses of Neruda that conditioned

the vision of that white sea.


I was in the retina
a duplicate of those springs of children who knew

of a stir in the breaks when it is light. Your

cried pain invaded branches.
I laughed the pleasure of wearing veils, first communion. Your
asphyxiation. I the wings.
And the two
the desire to hang tabs
landscape snowy petals open to the fruit,
branches loved or raped by the flower.

All rights © Angeles Fernangómez (text and photo)

Bridal Stores In Spadina Toronto

THE TAXI DRIVER / ARMANDO ARTEAGA

Story

THE TAXI DRIVER / Armando Arteaga

noted that a stranger who smoked was strange. Rule was not in the night. Being under his legs in a few seconds, fell from the sky, lying on the floor, unconscious, while flying through the air, about the time lost in an instant to stop ¬ ce a century, was an event unprepared.

Death seemed to explode from his lips trembling.

- What's going on, Boss?

The stranger pounded the boy's face.

- I do not know nothing jefecito!. And the crowd of people grew up as an unexpected tumor at the very moment of the night. At the razor's edge, in another abyss.

Quietly, the boy slid down his leg the small package that bothered him in sex while pretending to die. The boy lay on the ground showed no signs of anything.

- It's cold.

reached to hear the voice of the stranger who smoked. . The boy felt die again, I was pretending to play dead, was not on the beach to float like a cork floating however, was playing dead. And it is getting ¬ tobacco.

- Dummy, you've cooled. The Chief just wanted to be stroked. It has happened to your hand. He has turned.

- Come - ordered an stiff voice coming from the back.

And suddenly, magically, there was silence. Only the dead man began to be with roche. A mule ¬ cú people began to surround it by a circle. The parade of legs would not let him make out or calculate how many meters was the sardinel the passage of vehicles traveling on the highway.

- Bring an ambulance!.

- Call a trooper!.

A blinking light allowed to see a circle of light at the bottom of wasteland that kissed the dark street. People were now more intent on seeking help in looking at the dead. It was then that the boy ¬ cided to make the miracle of Lazarus, rise, now or ever, and running away, being dead, flying through the air, flying young. And run, run, do not look back, could petrify, up to the first taxi he found on the highway, to release him from the tumult and scandal.

Looking back, he saw a spot amorphous screaming: help!, Help!; Has escaped the dead! ", Shouted one woman.

appeared a red Volkswagen on the highway.

- Take Me To window, "begged the driver.

This cat pal parcero is thought the fercho.

- Fuck, what have given such a beating, cumpa, is for any skirt, safe, friendly questioning him the man of the helm. I so faithful to a single Jerma. They have massacred, paisa, do not go to fall asleep, while dodging the other vehicles that snaked the ra ¬ reel wet asphalt.

"We're

New Peru. Where I leave, tigre.

The boy claimed to be in the past, "he pleaded not have money to pay. God will repay, cumpita.

- just go the next pay me, I must be one, com ¬ father. I was not going to die in the street, and there never.

The dying man was lost by the dusty side street full of houses of mats. In the gloom loomed bright discreetly houses a thread Petromax light.

The boy wore sore, until you reach the last summit of the sand ¬ ma. He played a rickety wooden door and brass.

- Open the door.

A withered woman took him disheveled and with his voice filled with fright:

- Jesus!. You have got em.

The boy fell into the arms of women.

In "Radio Mar", life was tasty, Rolando Laserie sang was The Dead Rumba (in reality.: The Dead Live). Long had been the night. Started a new dawn. Back to life, the boy was recovering from the beating.

Women in the kitchen a couple of bricks and wood-prepared chicken broth, the broth Wallpa will return the boy's life.

Outside the small hut, another hen pecked and feasted chasing a worm in the sand.

the book: "Short Stories."